It is the time of year to slob out on the sofa and demolish a tin of festive treats in front of a terrific flick, a awful feature, or one that’s terrible yet terrific.
As always, a batch of fresh seasonal stories hopes to be part of our seasonal watchlist—potentially even earning a place alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
Therefore, in a helpful attempt to separate the winners from the losers, and to get into the festive feeling, I marathoned as many recent festive movies as possible in a single day.
Starting, optimistically, on a high. This is the sole 2025 movie on a well-known aggregator's list of the top 100 Christmas movies of all time.
The musical trio find themselves stranded in the UK after concluding their international trek and must get home for Christmas. Their endeavors are hampered by an malevolent Father Christmas, who bursts into melody to state they won’t get home until they “rediscover their sibling bond.”
The banter between the arguing trio is amusing even for the non-fan, while fans will undoubtedly catch lots of references as they try to get back using every mode of travel possible.
It’s private planes, trains and automobiles.
It’s not a timeless masterpiece, but is superb for devotees and a solid start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who are obliged to sit through it.
A-list actor Kiefer Sutherland has been cast as a movie actor cast a "panto".
“A what's a panto??” asks Sutherland’s “temperamental” and aging lead Brad Mack, who has fallen on hard times and whose manager has misled him into thinking he’s appearing in prestigious English theatre.
His pantomime fellow actors let him know he’s playing Buttons. “Oh no I’m not,” he insists angrily. You can guess their reply. Unless you’re ignorant of traditional stage call-and-response.
There are some very funny lines, some heartwarming sub-plots, and the rest of the cast is cracking, too.
It’s the type of film that would be a bit tacky at a different time, but is a highly enjoyable at Christmas.
Holiday verdict: 🎄🎄🎄🎄
A familiar face pops up at the start of this film, too, delivering a signature line for the next movie straight. Might this become a fresh holiday staple?
This time, he’s a musical taxi operator who encounters Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The classic narrative develops as the stingy Mr Sood is haunted by the ghosts of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least unique from all the others, but sadly he’s not very compelling and Nayyar’s portrayal is flat—a major flaw when he’s so the focal point.
Holiday verdict: 🎄🎄
There's just enough time for a channel's holiday special—which stars Guz Khan as a lovably grouchy guy who “doesn’t really do Christmas.”
But after he receives an sizable holiday payout at work, his wife (starring Morgana Robinson) talks him into splurging the cash on a family trip to Lapland.
There’s just one issue—he discovers there was an mix-up with his bonus, which should have been £800, and he has to devise a plan for how to return the excess.
Pleasant yet unmemorable.
Christmas tree rating: 🎄🎄
This is one of those holiday movies where the tree, fairy lights and snow are in the setting—Christmas is the environment of the film rather than its core purpose—but it feels cosy and festive all the same.
Ambitious executive Sydney (starring Minka Kelly) is dispatched to a country estate to secure an acquisition for a champagne business. On the way, she meets a guy in a book store who promises to show her Christmas in Paris.
A commentator recently claimed this is the finest new Christmas film of the last several seasons. That’s a bit of a exaggeration, but it is a festive dalliance with a touch of class and gives the obligatory warm and fuzzy feels.
The scene with a lengthy discussion about Die Hard is notable too.
Festive score: 🎄🎄🎄
Teenage Chris, played by Lenny Rush, holds onto his belief in Father Christmas, despite the attempts of his dad (played by James Buckley) to tell him otherwise.
The truth is out there, and Chris sets out to find it with the expert help of a panel of well-known scientists and personalities.
It’s low-key but charming, and good viewing while expecting Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the mother of a dysfunctional American family who come back together for the holidays—including fellow acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the real champions of the holidays—moms.”
So that’s what this is, but in practice it’s really a mash-up of those inspirations, at least until Pfeiffer’s character at last finds her strength.
Holiday verdict: 🎄🎄
The day’s taken a dip, but happily here’s a new addition in the crowded field of formulaic, schmaltzy, badly acted—and utterly watchable—festive fodder.
It’s a tale as well-worn: An American woman travels to a far-off wintery locale and ends up discovering romance.
In this case, Caprice Bourret plays a publisher
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